Photograph at 19: Rimbaud in Bomber Jacket
my hair to my shoulder a thin goatee a thin moustache under small 1930s-style
round tortoise-shell frames and my grandfather’s tweed flat cap and my U.S. regulation bomber jacket with worn
zippers and cracked leather ransomed from the Salvation Army
the wind is caught up
where the light in the photo
falls on my hair
the jacket left open
inviting spring
what little remains
of an old five-and-dime
splintered boards and bricks
in a heap behind me and
the ragged half of a wall
the cap at 19 like a shadow like a shade of Kerouac on Route 66 which I also know but
no one steps twice onto the same road
the tortoise-shell too self-consciously like Comrade Trotsky a minor antithesis
perhaps lines my jacket uncovered where a paperback peeks from my pocket what other than the Illuminations
of Rimbaud but let us confess our contradiction let us turn to dialectic whether or not Rimbaud ever truly mounted a
barricade in the Paris Commune wasn't that Rimbaud French schoolboy in the daguerreotype on the New Directions cover
some years before he crossed over to the other side to skim a franc here a franc there from a caravan hauling guns
Rimbaud reputed crony of traders marching slaves to market in Harar in East Africa Rimbaud with a billet in Aden
not Eden
in the days before the truth found itself in exile in the days before
Pravda
and Stalin collected farmers for Siberia or before peasants harvested famine before a pick-axe found
Coyoacán or an Enola Gay fly-boy a bomber jacket
just back by way
of Hoboken & Hackensack
back from a brief stay
in that drafty warren
in the East Village
I look very bookish
in my bookish glasses
squinting myopically
into somebody's camera
while waiting for spring
underlined in my copy of Rimbaud Je est un
autre a French schoolboy’s letter
and manifesto for a systematic derangement of the five senses
and what of Trotsky with Las Dos Fridas in Coyoacán where Frida Kahlo is left
alone to hold her own hand
and what of so-and-so and somebody’s plan to meet on or about May Day at the Cliff
House or perhaps on Russian Hill to view the Golden Gate
underlined in my Rimbaud à son état
primitif de fils du Soleil
license enough to seek to restore that child of the Sun that primitive state
Copyright © 2008 Jeffrey Woodward
About the poet.